Wednesday, May 6, 2020
Representation of Race in Cinema - 1917 Words
Representation of Race in Cinema In this research paper, I have been asked to analyse the representation of race in the World, African or South African Cinema. Before I start, I would like to clear something regarding the task I have been asked to do, as I personally believe that we only have one race which is the human race, but regarding this tasks, I try to understand the word ââ¬Å"raceâ⬠as people of different background and culture including different languages. So only in this essay, I will be using words like ââ¬Å"raceâ⬠, ââ¬Å"Blackâ⬠man or person, ââ¬Å"Whiteâ⬠person and ââ¬Å"Negroâ⬠to fulfil the task I have been asked to do. And I personally apologize for whom I may offend by these terms used in this essay. When I heard about this task, the firstâ⬠¦show more contentâ⬠¦No matter what happened, they would be often the first to blame. That mind-set is still existing in our society today, especially here in South Africa, for example people are more concerned when they take a plane that is been operated by a black pilot. And if something happens during the flight, the first person to blame would be the black pilot. Just like the general statement I came across saying ââ¬Å"A Black person is a suspect everywhereâ⬠. I personally think, we as human beings need to change our mind-sets that it is only a black personââ¬â¢s fault, as with that attitude we create more division in our world which few of us trying to create as a more united world. What I find interesting regarding the making of this movie was that Ray Biddle (Richard Widmark) who played the brother of Johnny who died from his brain tumor, would during the takes of every scenes bombard Sidney Poitier with racist slurs verbally and physically and then after each take, he would apologize for how he mistreated Poitier. Later, they both became good friends. I would like to conclude this part with one of Sidney Poitierââ¬â¢s quotes saying: ââ¬Å"I never had an occasion to question color, therefore, I only saw myself as what I was... a humanShow MoreRelatedStereotypes And Stereotypes Of African Americans Essay1468 Words à |à 6 PagesAfrican Americans have been represented in the media with harmful stereotypes which were founded in the slavery era (Cartier, 2014)(Carpenter, 2012). This negative representation invites bias from those who accept the images, the distortion of which is accentuated by both sexism and racism. Black women are the least represented group in cinema, making it easier to rely on stereotypes which encourage societal bias. From these stereotypes, like the Jezebel and Sapphire, stem the ââ¬Å"real worldâ⬠stereotypesRead MoreThe Representation Of Interracial Relationships1447 Words à |à 6 Pagesrelationships from all different cultures are welcomed. The mixing of races has been going on for hunherds of y ears and dates back to the unfortunate years of slavery. Where the mixing of white and black was a taboo, but still carried out by the white slave masters on their black maids/ slaves. In this essay I will be looking at the representation of interracial relationships and how these relationships have been portrayed in cinema from 1903 up until present. I will be discussing the how miscegenationRead MoreBlack Cinema965 Words à |à 4 PagesWGST 300ââ¬âBLACK CINEMA Option A: Select two or more films from this course and compare and/or contrast them, using one or more of the above criteria (shared themes, etc.). SUPERFLY and DUTCHMAN ââ¬Å"Lights, camera, and action!!â⬠A popular phrase noted throughout the film and cinematic industry, but to directors, actors, and viewers of African American or Black Cinema this famous phrase helped jumpstart a movement throughout the black culture. Starting with radical movies that explained racial undertonesRead MoreColonialism And Racism In Crash By Paul Haggis839 Words à |à 4 Pagesdeveloping the characteristics of each character which helps to create a decent storyline and initial representation for viewers to follow from beginning to end. The movie delivers a great deal of impressive and well-shot scenes that appeals to the viewer emotionally and mentally, as great films should do. Relating ââ¬Å"Colonialism and Racism and Representationâ⬠speaks about representation of minorities in cinema through the ideology of colonialism. I want to challenge the authenticity of Crashââ¬â¢s acclaimedRead MoreThe Black Of Black And 70s1188 Words à |à 5 PagesDinner, Shaft, Do The Right Thing, and Madeaââ¬â¢s Family Reunion. People see the transformation of black cinema throughout the years. Films of the 60s, 70s, and 80s have significant differences from contemporary productions as the standards of culture shift in the decades. Before the audience can note the rise of black figures and standards in film. They must have recognition of the history of black cinema before its transition into the mainstream. Displays of black character roles and black culture fromRead MoreThe Theories Of Laura Mulvey And Bell Hooks888 Words à |à 4 Pages The theories of Laura Mulvey and Bell Hooks share their views on how individuals who attend the cinema have the opportunity to gaze and interrupt the messages that are being portrayed. Based upon their views, spectators can have their own beliefs and views of life and not have to focus on societal practices of racism and sexism. The article ââ¬Å"Visual Pleasure and Narrative Cinemaâ⬠critiqued by Mulvey, focused on how sexism and voyeurism were the main theme in terms of how males dominated societyRead MoreHistorical And Constituent Emotional State Of A Social System966 Words à |à 4 PagesThroughout history, subjective laws have contended how individuals relate to each-other through the concept of race. Similarly, ever since its emergence in the early twentieth century, television has also been used to manifest such cultural and societal values. In return, Hollywood s dependence on ââ¬Å"whitewashingâ⬠roles as a cross-racial/ethnic representation withholds the pow er to extraordinarily change viewerââ¬â¢s depiction of minority groups. Consequently, what follows is the important and constituentRead MoreGender Portrayal Of The Mammy And The Mulatto Child1712 Words à |à 7 PagesItââ¬â¢s evident that black performers in Hollywood cinema are customarily depicted as unpleasant based on the clichà ©d roles they play, for example: the mammy, the promiscuous character, or the angry black woman. Within this paper, I will incorporate Bell Hooks idea of ââ¬Å"The Oppositional Gazeâ⬠, and Marina Heung ideas discussed in the article What s the Matter with Sara Jane?â⬠Daughters and Mothers in Douglas Sirk s Imitation of Lifeâ⬠. The film of focus is Imitation of Life (1959) by Douglas Sirk,Read MoreBurden of Representation in Film1146 Words à |à 5 Pages------------------------------------------------- Representation is defined as a likeness or image of something, a definition that implies a visual component to this act. In terms of minority groups, such as women, people of color, all non-normative sexualities, the issue of representation is one that many film theorists and filmmakerââ¬â¢s struggle to contend with. Both the scarcity and the importance of minority representations yield what many have called the burden of representation. Since there are so few who haveRead MoreThe Dangers Of Blaxploitation Films Essay1520 Words à |à 7 Pageswomen. Young African American filmmakers, made lots of these types of movies in order to appeal to the young African American crowd. In the article ââ¬Å"Baadasss Gangstas: The Parallel Influences, Characteristics and Criticisms of the Blaxploitation Cinema and Gangsta Rapâ⬠, by Dustin Engels, it says, ââ¬Å"African American artists began using their mediums to appeal directly to black audiences in an attempt to spawn cultural movem ents that would display and bring to the forefront the cultural, social and
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.